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Your Complete Guide To Using Snapchat's New "Snap Map" To The Fullest

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Want to know why everyone is suddenly submitting Snaps from Paris's Marais district? Or what your friend is doing at Yankee Stadium when she told you she was home sick? With Snapchat's new Snap Map, launching today, you have more opportunities to see what your friends are doing and the big events taking place around the world, in real time.

"This is a product made possible by some of the things that are really special to Snapchat — close relationships with friends and timely snaps that are being submitted by our community," Jack Brody, a product designer at Snapchat, told Refinery29. "Coupling those things together creates an experience that is impossible to find anywhere else."

To get the full Map experience, however, you need to get down a few of the basics. Ahead, we're breaking down everything you need to know to make the most of the Map, whether you want to go into Ghost Mode or add your own Story to the mix.

After your app has been updated, you'll go through the initial onboarding process for Snap Map. This includes setting up your location preferences: "Ghost Mode" keeps your location private, "My Friends" lets you share your location with all of your Snapchat friends, and "Select Friends" allows you to limit your location sharing to certain friends.

You can change your location sharing preferences at any time by tapping your Bitmoji or selecting the settings icon in the upper right-hand corner. Go in and out of Ghost Mode (if you're setting up a surprise party, this might be the time to activate it) or update which friends can see your location. The change you make goes into effect immediately.

One thing to note: Even when you're in Ghost Mode, you can still see friends who have shared their locations with you.

The camera is still the focal point of Snapchat, so you'll always open the app to that screen. From there, you can get into the Map at any time by pinching your fingers together.

Want to know what your friend is doing at the restaurant by your house or how their work event is going? Tap their Bitmoji on the map and you can chat with them directly.

Even though it won't always be apparent what a friend is doing a location, Snapchat makes some fun inferences. If, for example, someone is on the beach, you might see their Bitmoji building a sand castle on the map. If your friend is located at the airport, their Bitmoji might have a suitcase.

The brightly colored spots on the map indicate "heat" areas, where people are submitting many Snaps to "Our Story." The redder a location is, the more popular the spot is. Tap it at any time to see what all the fuss is about — and whether you should check it out in person.

This is also useful if you want to know how the traffic is in a specific area or what the line at the trendy new matcha cafe is like. As long as there's some heat in that location, you can tap to see the content.

Tap one of the thumbnails for a look at the Stories that have been organized around a specific theme or event that's taking place.

If you want your Snap to show up on the Map for others to see, simply select "Our Story" when sharing your photo or video.

When you zoom out on the map to view Stories and Snaps from around the world, you'll see additional context. The temperature and current weather conditions for the region you're looking at will appear in the lower left-hand corner.

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The Drop: Exclusive Music Video Premiere For Emily Warren's "Hurt By You"

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Welcome to The Drop , Refinery29's new home for exclusive music video premieres. We want to shine the spotlight on female artists whose music inspires, excites, and (literally) moves us. This is where we'll champion their voices.

Emily Warren's voice sounds familiar — especially if you've listened to The Chainsmokers. Her vocals are featured on three of the DJ duos songs off their debut album, Memories Do Not Open. She also just wrapped up a nationwide tour with the group where she sang in stadiums for thousands of screaming fans. But, even if you don't listen to The Chainsmokers — you still definitely know Warren.

She is responsible for some of the lyrics that have been stuck in your head again and again. Warren is first and foremost a songwriter and story-teller, and the 24-year-old has been lending her brain and life experiences to some of the most popular pop artists for years. From Shawn Mendes to Jessie J to Noah Cyrus to Dua Lipa, the New York native is quickly becoming a prolific lyrist. Not every songwriter is on the receiving end of a tweet from Coldplay deeming a song she wrote as "basically perfect."

Now, she is letting her "basically perfect" lyrics narrate her own songs. And it's so good. Refinery29 is exclusively premiering the music video for the rising star's debut track, "Hurt By You," which, after being released on May 5, has already garnered over one million streams on Spotify. The video itself has its own hidden connections to the music industry, much like Warren herself. Warren and her photographer friend shot the video in a spur-of-the-moment decision after touring the iconic Sun Studio in Memphis, Tennessee while she was on tour with The Chainsmokers. Sun Studio is deemed the "birthplace of rock and roll" — Elvis Presley and Johnny Cash recorded music there. What more could you want from a debut video when you have the musical energy and spiritual guidance of Cash and Presley presiding over you?

In an interview with R29, Warren told us that the song is inspired by a real life experience (as all of her songs are) and that it is about vulnerability in a new relationship. "I wrote it about my current relationship and how, at the beginning, I was hesitating to make myself vulnerable," she says. "I was scared of being there. I felt like something was kind of holding me back at the beginning, so the song is a reminder to myself to not be afraid of what could happen."

Check out the premiere below, (yes — she is playing Presley's piano and singing into his mic) and then read on for an interview with the leading lyrical lady as we discuss feuds in the music world, Harry Styles, and not pigeon-holing her sound.

Refinery29: Can you tell me the story behind the music video?
Emily Warren: " We were on tour in Memphis and we took a tour of Sun Studios. It was a good tour, but they would not let you touch anything. Then our photographer was like ‘We should just ask’ if we could shoot there because it would be the perfect place for 'Hurt By You.' So we asked the guy standing behind the counter and to our surprise he said 'Yes, definitely' and we went back that night at midnight after the show. It was sick because they also let me play Elvis’ piano and sing into his mic. It was totally surreal and crazy that it all came together."

Was there a different energy?
"There were a couple times that it hit me and I was like, ‘Oh my god’ I cannot believe I am actually playing into this piano and singing into this mic."

Drew [Taggart] described The Chainsmokers as “"blurring the lines between indie, pop music, dance music, and hip-hop." How would you describe your sound? "Probably why he did that, and why we all do that when we are asked to pigeon-hole our music, is because we grow up now listening to so many different things so it would be hard to say that ‘This is pop’ or ‘This is indie’ But for me, the songs are stories first and foremost and they are real things that have happened to me, so the production is there to support that and is classic and organic with some new elements so they don’t sound dated for throw-backy."

You just wrapped with The Chainsmokers — what was the highlight of the tour? "The last place on tour we played was Forest Hills in New York and apparently it had been really cold in New York and then was super hot the days after, but two days [of the outdoor shows] were perfect summer weather. I had my whole family and friends there and it was totally surreal. I don’t even know how to explain it except that there was magic in the air."

What was it like working with and writing with Noah Cyrus and Dua Lipa, who are both younger than you? Is it weird writing lyrics for someone with maybe less life experience? Or is she actually like that?
"
They are both older souls and are down to say crazy stuff. For both of them and all artist I work with i help them with stuff that they want to say. In both cases they were pretty comfortable telling those stories. I try to not impose my ideas onto them. They end up being true to each artist because it is coming from their story, too."

What do you think about the feuds in the music industry now that you are putting yourself at the forefront of your music?
"I try to not think about that stuff and sometimes it is hard. I feel really strongly about not writing things that are not good messages to put out into the world. A lot of the songs coming out that are feud songs are really silly. If you’re a big artist with a huge platform and that is what you are choosing to put out into the world, I think it’s kind of irresponsible. I try to avoid that in my own writing by just saying things that are good things to say and putting the right message out there."

Who is inspiring you the most right now?
"I am always inspired by the things I grew up on like The Beatles and Ella Fitzgerald. But recently the Harry Styles album. I really admire the fact that he had everyone’s attention to put out whatever he wanted and instead of going with the heavy hitters, he made a real '60s rock true album. He doesn’t care if the girls who like One Direction like his album. It takes a lot of guts to ignore the pressures and just do what you think you should be doing."

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Snapchat's New "Snap Map" Will Transform How You Connect With Friends

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Snapchat changed the game with its playful Lenses, which let anyone puke rainbows or transform themselves into Coachella-ready flower goddesses. Now, the app is introducing users to another major innovation that will put Snapchat on the map in a far more literal sense.

Snap Map, which debuts today, is an entirely new screen on Snapchat that shows you where your friends are, where the most Snaps are coming from at any given moment, and what's happening around the globe — in real time. This is not just Find My Friends 2.0.

"In a lot of ways, we're taking what a map is and turning it upside down," Jack Brody, a product designer at Snap, told Refinery29. "This map isn't about where am I, it's about where are my friends and what are they up to? It's not about figuring out how to get to your destination, but about discovering where you want to go."

When you open the updated app, you'll be walked through a series of onboarding steps which will show you how to get to Snap Map: From the main camera screen, simply pinch your fingers together, then the app will ask you to choose from among three visibility options. If you don't want your location to show up on screen, you can go into Ghost Mode. If you only want your location to be visible to select friends, choose those users. If you don't care which of your friends see you, you can select all.

The Snap Map itself looks like a more playful, Disney-fied version of Google Maps. It's populated with your friends' Bitmoji (if someone doesn't have a Bitmoji, an outline of a person will appear instead) showing where they are at any given time if they have the Snapchat app open. The app only updates a user's location on Snap Map when they open it.

While it's fun to see where friends are IRL, that information isn't as meaningful without a bit of context. The genius of the Map — in addition to showing you where your friends are — is that it also shows you where Snaps submitted to the collaborative "Our Story" are coming from. The more Snaps there are coming from one region, the more likely there's a special event, such as a big concert, or, a newsworthy moment occurring.

These moments are indicated by "heat" locations, spots of color on the map like the ones meteorologist use for weather forecasts. The redder a location is, the more Snaps there are coming from that spot. If a Beyoncé concert is happening, you'll probably see it on the heat map. There are also thumbnails featuring Stories that have been organized around a specific event or theme.

According to Brody, there's strong evidence that Snapchatters have been wanting a way to let friends know where they are via the app. "Interestingly, one of the habits we've seen with our users is that they'll take a snap where they are, put on the geofilter, and post it to their story with a caption like 'hit me up,'" Brody said. "They're basically saying come hang out with me here. Then, when they leave there they'll delete that from their story." With geolocations on the map, your friends will know if you're still at the beach, without you needing to update your Story.

Another benefit of the Map is if you see a friend is nearby an event, you can tap their Bitmoji to immediately start chatting with them to get all the details. "This is about layering relationships [with friends] on top of what is happening in the world," Brody explains. "It gives you more context on what your friend is up to. If I see a friend is at the Forum, I don't just see she's there. I see she's there and The Weeknd is performing. It triggers conversations that you wouldn't otherwise have had."

There is a playful purpose to Snap Map, but the tool also has the power to break news in the same way that Twitter does. On one of the first occassions that the Snapchat team tested out the Map function, in February 2016, a crane collapsed in New York. "Our Story" submissions immediately started popping up in Manhattan. According to Brody, these came in before police and media had even showed up on the scene.

"That was this moment of 'we have something here,'" Brody said. "We had newsworthy content 10 minutes before the first news company actually arrived."

In addition to breaking news, there's one more leisure element to the Map. Since you can look at Stories happening in any location around the world, you can use it to explore a potential vacation spot, do some travel planning, or just to satisfy your wanderlust from the office. While Snapchat Search, a feature launched earlier this year, does feature Stories from around the world, the Map provides an easier, and more visual, representation of where these Stories are coming from.

"There's definitely the aspect of where are my friends and what's happening around them, but then there's a greater aspect of what's happening globally," Brody told Refinery29. "There's something really powerful about seeing the diversity, but also the similarity of snaps around the world."

The Snap Map update will begin rolling out to both iOS and Android today. Head here for a detailed guide on how to use the Map to the fullest.

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Here's Everything Leaving Netflix In July

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It's the first day of summer and Netflix is getting in the spirit of a new season by clearing out some old titles, but don't despair. Classic movies like Blazing Saddles and Gentleman Prefer Blondes will still be available for another week or so, and if you really commit, you should be able to binge the seasons of MacGyver, Ghost Whisperer, and Futurama that on their way out as well. So crank that air conditioning and settle in — the beach will still be there tomorrow.

This month has us saying goodbye to a lot of iconic throwbacks. If you're feeling musical, make sure to catch Hello, Dolly! before it's gone, and if your heart truly belongs in the '80s, then Working Girl is here to make your Harrison Ford dreams come true...at least until July 1.

Fans of American Pie better buckle up, because the franchise is losing three different titles: American Pie Presents: Band Camp, American Pie Presents: Beta House and American Pie Presents: The Naked Mile. To add insult to comedy injury, Kevin Hart's stand-up special, Laugh at My Pain, is also flying the coop.

And if I could make one personal recommendation: Please catch Angus, Thongs, and Perfect Snogging before it disappears. It by no means does its literary namesake justice, but it's still a fun coming-of-age comedy set in a little town in England that will make you feel like a tween again (but in a good way).

There are too many titles leaving Netflix to talk about here, so we've rounded them all up in the slideshow ahead. Take note and plan your attack — July will be here sooner than you think.

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Leaving 7/1/17
Blazing Saddles
American Pie Presents: Band Camp
Flicka 2
9/11: Stories in Fragments
Secrets: The Sphinx
Batman
Working Girl
Gentlemen Prefer Blondes
An Unmarried Woman
Hello, Dolly!

MacGyver: Seasons 1 - 7
Ghost Whisperer: Seasons 1 - 5
Futurama: Season 6
Day of the Kamikaze
Mystery Files: Hitler
Mystery Files: Leonardo da Vinci
Nazi Temple of Doom
The Hunt for Bin Laden
The Incredible Bionic Man
History in HD: The Last Bomb
Secrets: A Viking Map?
Secrets: Richard III Revealed
Shuttle Discovery's Last Mission
Titanic's Final Mystery
Samurai Headhunters
America's Secret D-Day Disaster
Black Wings
Blondie's New York
Bombs, Bullets and Fraud
Death Beach
Hip Hop: The Furious Force of Rhymes
American Pie Presents: Beta House
Hugo
American Pie Presents: The Naked Mile
Angus, Thongs and Perfect Snogging
While You Were Sleeping
Kate & Leopold
El Dorado

Leaving 7/3/17
The Last Samurai
Two Weeks Notice

Leaving 7/6/17
Los Heroes del Norte: Seasons 1 - 2

Leaving 7/11/17
Opposite Field

Leaving 7/12/17
Sleeping Beauty
Adventures of Pepper and Paula
In the Basement

Leaving 7/13/17
Kevin Hart: Laugh at My Pain

Leaving 7/15/17
Lessons for a Kiss
All That Glitters

Photo: Courtesy of Warner Bros.

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Netflix's Most Feminist Shows To Binge-Watch This Month

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It's Women's History Month, and traces of the epic Women’s March are still in the air. Let those golden specks of empowerment make their way onto your computer screen, and follow them down corridors of Netflix entertainment. The streaming service is home to multitudes of binge-able TV shows that portray smart, brave, funny, flawed, and utterly relatable women. Of course, each of the shows on this list passes the Bechdel test with flying colors. Did ya even have to ask?

So, when you’re seeking a new batch of heroines to spend a few hours with, look no further. We've got your new favorite ladies.

GLOW

From the creator of Orange Is the New Black comes GLOW, the story of an all-women wrestling TV show in the '80s. Ruth (Alison Brie) is a failing actress, not a professional wrestler. But after she auditions to be a part of the Gorgeous Ladies of Women's Wrestling, she's pushed to new limits as a performer. She and 12 other Angelino misfits become the campy, glittery, nicknamed faces of women's wrestling.

GLOW is based on a real show that aired in the '80s.

The Good Wife

If you didn't manage to catch this beloved show when it was on the air, now's your chance.

Alicia Florrick has always been a good wife to her husband, the former state's attorney (hence the title The Good Wife). But, in something out of Andy Weiner's life story, her husband is arrested after a humiliating sex scandal. After years as a housewife and mother, Alicia returns to work as a litigator to fend for her two children and keep the family chugging along.

The Good Wife mixes a gripping courtroom procedural with a feminist family drama. Catch it on Hulu and Amazon.

Courtesy of CBS

Orange Is The New Black

When Orange Is the New Black premiered in 2013, it mainly centered on Piper Chapman, a woman sent to prison 10 years after a smuggling drugs as a favor for her ex-girlfriend. In the years since, Orange Is the New Black has become less Piper’s story and more a symphony stories of the many women in Litchfield County Prison with her.

Each episode focuses on the backstory of a different member of the gloriously diverse cast, treating each character’s back stories, mistakes, and current situations with empathy. The show remains a pioneer in developing multi-faceted, complicated women characters, and giving them the on-screen time they deserve.

Courtesy of Netflix

Call The Midwife

This British miniseries will especially appeal to fans of Downton Abbey or anyone who can't resist a good period drama. The show focuses on Nurse Jenny Lee and the other nuns of Nonnatus House who work as midwives in London’s East End during the 1950s. London and its inhabitants are still reeling from the wreckage of WWII. Call the Midwife highlights the actions a set of women took to serve a community in need, and the public policy in place that allowed them to do so.

Another draw? Like Orange Is the New Black, Call the Midwife boasts a case of almost exclusively women.

Courtesy of the BBC

Grace And Frankie

Grace and Frankie, the wives of two law partners, don’t have anything in common other than the fact that they can’t stand one another. Grace, played by the ever-classy Jane Fonda, is the uptight, martini-sipping, country-clubbing founder of a makeup company. Frankie, played by Lily Tomlin, is the free-spirited, organic eating artiste with a gallery in her garage.

But when their husbands make the dramatic announcement that they’re leaving their respective partners for each other, Grace and Frankie suddenly find themselves in the same boat. We watch their relationship blossom through the emotional turmoil that no one else — not their kids, friends, and certainly not their husbands — can relate to. Balancing just the right amount of wit and sentimentality, humor and heart, Grace and Frankie is the sweetest binge-watch on Netflix. Watch it with your grandma.

Courtesy of Netflix

Garfunkel And Oates

Calling Flight of the Conchords fans: America’s finally produced a duo that can rival the zany New Zealander singers. Deriving their name from two other famous rock duos, Garfunkel and Oates prefer singing about the struggles of the modern-day woman to bridges over troubled water. The duo catapulted to fame with hilarious YouTube music videos. In this IFC show, the women play exaggerated versions of themselves, interlaced, of course, with song.

Courtesy of Netflix

The Fall

If Stella Gibson were in charge of solving every crime, I bet there’d be no more crimes left to solve. In this Northern Irish drama, Gillian Anderson plays an eerily refined and collected police detective who’s on the hunt for a serial killer (played by 50 Shades of Grey ’s Jamie Dornan). Gibson has the uncanny ability to deftly get into Paul Spector’s serial killer psychology, and rarely lets her emotions rise to the surface. In addition to the challenges of tracking down Spector, she has to establish her authority in a field run by men.

Over the course of the three series, Gibson and Spector fall into an exhilarating (and terrifying) game of cat and mouse, where the stakes are women’s lives. The highlight of the show is watching Stella take down a male-dominated field, fight the patriarchy, and hunt down serial killers on her own terms. More than your run-of-the-mill police procedural, The Fall may well be the most feminist show on TV.

Courtesy of the BBC

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Chip & Joanna Gaines Just Revealed The Name Of Their New Breakfast Restaurant

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At this point, Chip and Joanna Gaines, stars of HGTV's Fixer Upper, are practically running the town of Waco, TX. People travel there specifically to shop around at their Magnolia Market at the Silos, taste Joanna's sweets from her Silos Baking Co, and stay at their vacation rental, Magnolia House. Recently, the couple added yet another jewel in their glittering crown of Waco attractions with the purchase of an iconic cafe. According to Joanna Gaines' blog, the couple bought the Elite Cafe last year when it closed after almost 100 years of serving the people of Waco. Now, Chip and Joanna are working on transforming it into their own breakfast restaurant, and key details about the project were just shared.

In her most recent blog post, Joanna wrote that in addition to running their business, Magnolia Homes and keeping up with all their other ventures, this summer, she and Chip are primarily focused on getting their new breakfast cafe up and running. After admitting that they knew that jumping into the restaurant business was a risk — although we're not worried because everything these two touch seems to turn to gold — the designer went into the detail about why they chose transforming the Elite Cafe as their next big project. She explained that almost everyone in Waco has a memory at the cafe, including herself and her husband, so when in 2016, the restaurant closed its doors, the couple knew they "couldn't let a place with such a rich history be forgotten."

The biggest restaurant news that Joanna revealed on her blog is the cafe's new name and most importantly, what will be be on the menu. The couple chose to call the place Magnolia Table because they wanted the name to "convey the idea that all are welcome here." It also fits pretty seamlessly in with the rest of their Magnolia-branded businesses. Once it's open, which the pair hopes will happen at the end of 2017, Magnolia Table will serve breakfast, brunch, and lunch. Though we haven't gotten a peek at the full menu, Joanna did share some favorite items that will be offered like Chip's famous ham sandwich, the Farm Eggs Benedict, the Gaines Brothers Burger, and homemade pies, biscuits and crafted jams and butters.

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Rachel Lindsay's Most Epic Zingers & Comebacks On Twitter

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Rachel Lindsay is giving Chrissy Teigen a run for her money as Twitter's clapback queen.

The Bachelorette hasn't been shy about responding to her detractors on Twitter, and she always knows exactly what to say. Case in point: On Monday, Lindsay shut down a racist tweet about the show — while dissing one of the current contestants in the process.

Former Bachelorette contestant Leah Block sent the unfortunate tweet that started it all.

"I'm sitting here watching @BacheloretteABC and my roommate just sat down on the couch and said, 'What is this? @LoveAndHipHop_?' DEAD," Block tweeted Monday.

Lindsay and Astrid Loch, who starred alongside her on Nick Viall's season of The Bachelor, both had the same idea about how to respond to Block's now-deleted tweet.

"Are you watching with Lee," Loch tweeted, referencing Lee Garrett. Garrett is currently a contestant on Rachel's Bachelorette season, and he's also the author of a number of racist tweets. We're not talking a Dean Unglert-level flub ("I'm ready to go Black and never go back") here — Garrett has reportedly compared Black Lives Matter to a terrorist group.

And even though Garrett hasn't been eliminated from the show yet, it's safe to say he didn't get Lindsay's final rose.

"Let me know if she wants to meet Lee...they sound like they would have a lot in common #ihavetimetoday," Lindsay tweeted in response to Block's tone-deaf tweet.

This week's mic drop is just one of Lindsay's awesome Twitter comebacks, though. She only joined Twitter in January, but Lindsay's already making a huge impact — and her 87,000 followers can't get enough.

Ahead, we've rounded up some of the Bachelorette's best zingers and clapbacks. if you're not following Lindsay on Twitter, you're seriously missing out.

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Lindsay isn't going to let casual racism fly.

The Bachelorette isn't afraid to call someone a Who.

This is the classiest way to respond to a hater.

A simple piece of advice for the armchair critics.

This might be the most intellectual subtweet ever.

Emoji are all you need to throw subtle shade at Whaboom.

But direct criticisms of Whaboom work just as well, too.

Future interviewers, take note.

Another perfect subtweet — Rachel knows how it's done.

Rachel had a succinct (and salty) answer when someone asked if she considers herself a feminist.

Like this post? There's more. Get tons of celebrity news, fun takes on pop culture, and trending stories on the Refinery29 Entertainment Facebook page. Like us on Facebook — we'll see you there!

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This Brand Appropriated #BlackLivesMatter — & The Internet Isn’t Having It

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As racially-motivated police brutality continues without justice — demonstrated this week with the case of Philando Castele — the #BlackLivesMatter movement has only grown in importance since its conception in 2012. So, when Canadian luxury brand Ports 1961 debuted "Every Color Matters" shirts at its spring 2018 presentation during Men's Fashion Week on Tuesday, it's unsurprising that the internet was quick to react with outrage.

At best, the creation of "Every Color Matters" and "Only Love Matters" tops was a capitalist exploitation of the fight for racial equality. Critics also (and rightly) point out that manipulating the term "Black Lives Matter" degrades the legitimacy of the movement, weakening its purpose as a spotlight on the deadly police brutality the Black community continues to face, Teen Vogue reports.

In his review of the show, Vogue 's Nick Remsen wrote that "there are subtler and more sensitive ways to deliver a message of resistance and fairness and acceptance." He continued: "A T-shirt that read “Only Love Matters,” a broadening of the term “Black Lives Matter,” felt, to this writer, troublesome (a movement that big and important and personal to so many should perhaps not help to serve a company’s bottom line). Ditto for a clenched fist on a jumper that opened the show."

Twitter users also chimed in, highlighting both their anger and disappointment with the brand's decision.

Though the show notes acknowledged the brand's political motivations — they read, “This collection is, in its own way, a message of solidarity for the Black Lives Matter movement that began in the street and on social media in 2012. The fight against violence and for justice for black people resonates today in an even wider, bigger way” — Twitter user @dreammcclinton pointed out that "when art is insincere, it shows. You cannot take a movement you don't understand and attempt to tap into the market."

Despite criticism, Ports 1961 stands by its designs. When asked about the controversy and backlash, a representative from the brand told Refinery29:

"We think that Fashion reflects the world around us. In a time of challenge, fear and disillusion, it is the creative person's role to try to deliver a message of love and hope. For the past several seasons, Milan Vukmirovic has been exploring the urgency of love and the importance of fraternity, unity and solidarity. It wasn't our intention to offend anyone but on the contrary this collection is, in its own way, a message of solidarity towards all the people who are suffering from discrimination, violence, and bullying acts."

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Courteney Cox Isn't Done Having Children

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Courteney Cox is already a wonderful mom to her thirteen year old daughter, Coco Arquette. Now, she's ready to have a second child, this time with fiancé Johnny McDaid.

Cox and McDaid dated for six months before they got engaged. Although they took a break soon after, the couple is back together and looking to take some big steps. Kim Kardashian West isn't the only one who's ready for another baby.

Cox, who has experienced pregnancy issues before, opened up to New Beauty magazine in their Summer-Fall issue. She's thoughtfully considered her next steps.

"About four years ago, I found out I have something called a MTHFR gene mutation, which dictates how my body methylates," she revealed. "I suffered miscarriages."

People with this gene mutation have to watch what they digest. Anything with high levels of folic acid, like carrots, red onions, and broccoli, can complicate methylation. One side affect of this rare disease is an increased risk of blood clots. These blood clots are what cause recurrent miscarriages. It's a hard learning curve, but Cox has it under control.

"Once I found out how I could absorb nutrients and protect myself from toxins, my whole life shifted," she told New Beauty.

The Friends star is eager to change her life once again. Cox is considering receiving an egg donation in order to have a baby with McDaid. Her positivity is absolutely infectious — she's got a plan and she isn't going to let any little thing get in her way.

"I may be one of the older people doing it, but I would love to, with Johnny, that is," she goes on. "I know it’s crazy, but I would."

It's not crazy! It's inspiring.

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Here's How To Get Your Favorite Luxury Beauty Products For Half The Price

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Even if it’s been a decade since you last felt the overwhelming sense of relief wash over you as the last day of school let out, the first day of summer still has special significance. This year, that good feeling is going to get even better: Space NK just kicked off a major sale today on a range of its best-selling products, with some prices slashed to a full 50% off while supplies last. (When we said major, we really meant it.)

With texturizing sprays, radiance-enhancing bronzers, lightweight moisturizers, lip stains, illuminating under-eye concealers, and one seriously innovative cleanser on the discounted menu, the beloved luxury retailer has all of your summer beauty needs just about covered.

Ahead, a handful of our top picks from the sale — because who needs a solstice party when you can have chic brands like Eve Lom and By Terry for almost half the price?

Soft, highly pigmented, and supremely blendable, this palette contains six shades of one of the best powder eyeshadow formulas on the market — and the colors themselves are right on trend with warm, flattering rusts and neutral shades, with a sexy navy blue for good measure.

By Terry Eye Designer Palette Parti-Pris, $29 (reg. $58), available at Space NK.

The gold standard of on-the-go bronzers, a few sweeps of this transparent, barely-there formula leaves skin with a healthy, subtly sun-kissed glow without disco-ball sparkle.

Eve Lom Golden Radiance Bronzing Powder, $24 (reg. $48), available at Space NK.

Definitely not the most glamorous of summer beauty necessities, but a heavy-duty stainless steel file like this one will make dry, cracked heels and soles that much more sandals-friendly.

Space NK Foot File, $15 (reg. $30), available at Space NK.

No, your eyes aren't deceiving you: This is a cleanser that provides SPF 30 even after it’s been rinsed away. The proprietary “wash-on” technology defends against UVA/UVB exposure with an advanced blend of active ingredients, so you get clean, clear skin and a lightweight layer of sun protection all in one innovative product.

Dr. Russo Sun Protective Day Cleanser SPF 30, $52 (reg. $75), available at Space NK.

Voluminous, beachy waves have never been easier than with this texturizing styler, which combines the properties of mousse and salt spray into one lightweight, non-sticky mist. Spritz it sparingly on damp hair (a little goes a long way) and blow-dry with your hands for maximum body.

Bumble and bumble Surf Foam Spray Blow Dry, $18 (reg. $31), available at Space NK.

Sun, sweat, and increased oil production is a recipe for seasonal breakouts. Keep them at bay with this weightless must-have moisturizer, which sinks into skin to provide just the right amount of hydration while smoothing uneven texture and brightening dark spots for a healthier, more radiant complexion.

Evologie Stay Clear Cream, $42 (reg. $62), available at Space NK.

At a full 50% off, this cult-favorite eye pencil is a steal. Each shade is exceptionally long-wearing, and imparts intense color that stays put even on the oiliest lids. It makes a great primer for additional eye makeup, too.

Nudestix Magnetic Eye Colour Pencil, $12 (reg. $24), available at Space NK.

Like this post? There's more. Get tons of beauty tips, tutorials, and news on the Refinery29 Beauty Facebook page. Like us on Facebook — we'll see you there!

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Here's Everyone In Trump's Circle Who Has Hired A Lawyer

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There's no doubt the investigation into Russia's interference in the 2016 presidential election is heating up. And as more developments come to light, one detail has stood out: President Trump and some of his associates have retained lawyers to help them navigate inquiries related to the probe.

Congressional committees and a Department of Justice team (led by special counsel Robert S. Mueller III) have been trying to determine whether people in Trump's network colluded with Russia to interfere in the election. Hiring outside legal counsel seems like a preventive measure for the president and his associates, though doing so isn't necessarily proof they're guilty of any wrongdoing.

At the moment, Trump is reportedly being investigated for obstruction of justice. Meanwhile, the special counsel is also looking into the financial and business dealings of his son-in-law and adviser, Jared Kushner, who's also reportedly considering hiring a lawyer.

Ahead, we list which members of the Trump circle have sought out legal counsel so far. We'll continue to update this story as more information comes out.

President Trump

The president hired Marc E. Kasowitz, a lawyer who's worked with him previously, to help him with the investigation into Russia's interference in the election.

Trump retained his services just a week after Mueller was appointed as special counsel to lead the FBI's Russia probe. And for better or worse, some of Kasowitz's prominent clients have ties to Russia, according to The Washington Post.

This month, the president also added prominent defense lawyer John Dowd to his legal team. Also part of the team are Jay Sekulow, chief counsel for the conservative advocacy group American Center for Law and Justice, and Michael J. Bowe, who works at Kasowitz's firm.

Photo: NICHOLAS KAMM/AFP/Getty Images.

Vice President Mike Pence

Pence hired Richard Cullen as his personal criminal defense lawyer. Cullen is a former United States attorney and will help the veep deal with the special counsel's Russia investigation.

"I can confirm that the Vice President has retained Richard Cullen of McGuireWoods to assist him in responding to inquiries by the special counsel," Jarrod Agen, Pence's communications director, told The Washington Post. "The Vice President is focused entirely on his duties and promoting the President’s agenda and looks forward to a swift conclusion of this matter."

Besides President Tump himself, Pence is one of the most prominent figures in the White House who's retained legal counsel to aid with the Russia probe.

Photo: Cheriss May/NurPhoto/Getty Images.

Michael Cohen, Trump's longtime lawyer

Cohen, who serves as the president's personal lawyer, hired his own legal counsel. The information was first reported by NBC News' Katy Tur.

Cohen retained the services of lawyer Stephen M. Ryan, from the law firm McDermott, Will & Emery.

Photo: BRYAN R. SMITH/AFP/Getty Images.

Attorney General Jeff Sessions

Sessions hired Charles J. Cooper, a D.C.-based lawyer who The Washington Post reports is his "longtime friend."

The attorney general recused himself from the Department of Justice's Russia investigation in early March, after it was reported that he met twice with Russian Ambassador Sergey Kislyak during the 2016 election and failed to disclose this information during his confirmation hearing. At the time, he was a U.S. Senator and acted as a policy advisor to the Trump campaign.

Last week, Sessions testified before the Senate Intelligence Committee. According to The Post, Cooper was sitting behind him while he answered the committee's questions.

Photo: Chip Somodevilla/Getty Images.

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What's Up With The Scorching Heat Wave In The Southwest?

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What's Up With The Scorching Heat Wave In The Southwest?

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Scorching temperatures in parts of Arizona, California, and Nevada are breaking daily records and causing serious problems for airlines. In fact, American Airlines cancelled dozens of flights out of Phoenix, AZ the past few days due to staggeringly high temperatures (Phoenix reached 119 degrees on Tuesday).

The city, along with Las Vegas and the ominously named Death Valley of California, is expected to reach temperatures above 110 degrees for the next week.

What's causing the high temps?

Heat waves are caused by high atmospheric pressure, which means air is being pulled down to Earth. As it gets closer to the ground, it rises in temperature because it's being compressed. And as high atmospheric pressure stays in the same area for a while, the air continues to get hotter and drier.

Why is the heat so dangerous?

Blistering temperatures aren't just uncomfortable — they lead to more fires, power outages, and infrastructure failures. Large cracks formed in a highway in Sacramento, CA this week, and the department of transportation said the rising temperature could have been the cause.

Heat has caused more deaths in the U.S. in the last 30 years than floods, tornadoes, or any other type of weather. If you live in the area, it's important to stay in air-conditioned spaces as much as possible, drink lots of water, and avoid sitting in hot cars or cooking on the stove or oven.

Why can't planes fly during heat waves?

The weather in Phoenix mostly affected small planes, as bigger aircrafts can fly in slightly higher temperatures. Air density decreases as temperatures increase, and planes need air density to lift them into the air. In order to get in the air in extreme heat, planes need longer runways to allow them to go faster before taking off.

Why does all this matter?

A study published in Nature Climate Change on Monday says climate change will lead to deadly heat waves becoming more frequent and affecting more parts of the globe, so the Southwest's current problem isn't an isolated event. Earlier this month, the second heat wave of the season hit New England, with temperatures in the 90s.

Airlines grounding planes in Phoenix offer a glimpse at the struggles air travel could face as climate change continues to alter weather patterns.

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Robin Roberts On Why You NEED To Ask For Help When You're Stuck

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Good Morning America anchor Robin Roberts is gearing up for season 2 of her podcast Everybody's Got Something, which launches today. As someone who has gone through the most trying of challenges — first breast cancer and multiple chemotherapy treatments, then bone marrow disease that resulted in a transplant — the Emmy winner is particularly well-suited to host a podcast featuring people opening up about their struggles.

In season 1, Roberts interviewed India Arie about losing her self-confidence, spoke with Magic and Cookie Johnson about how they dealt with his HIV diagnosis, and discovered how much she had in common with comedian Tig Notaro, who also battled breast cancer.

In the new season, we'll hear from Gabourey Sidibe, Lea Michele, and Patti LaBelle, among others, with a new episode released every Wednesday.

Ahead, Roberts gives Refinery29 an exclusive preview of the podcast and discusses how she has dealt with hardships in her life.

Why did you choose the podcast format, rather than writing or TV, to explore the topic of resilience?

"You can really get in-depth — get people out of the studio, not under the bright lights...just one-on-one, being able to connect... There's an intimacy to it. It's just sharing stories and trying to uplift people and give them hope."

What were some of your favorite moments from the first season of Everybody's Got Something?

"Tig Notaro was definitely a highlight. I loved her humor. We both grew up in the same town in Mississippi, we've both been through cancer, and we've both lost our moms. I love how she was able to share her message with that dry sense of humor."

What would you say to young women who are still trying to find their passion? Who don't yet know what their "something" is?

"Well, that is their something. 'Something' doesn't mean you've had tragedy, necessarily — everyone's got something important to them that they want to achieve, or that they have overcome... They need to embrace the fact that they don't have it all figured out. No one has it all figured out. I still don't. It's okay.

"You know, Gabourey Sidibe from Precious, I love that she admitted on the podcast that she was as afraid of succeeding as she was of failing. When Precious hadn't come out yet, she knew, in a year or so, that she was going to have a movie, but she was still working as a phone-sex operator. She was walking the red carpet with Mariah Carey at the premiere wearing an H&M dress."

[Young women] need to embrace the fact that they don't have it all figured out. No one has it all figured out. I still don't. It's okay.

What do you think you can you learn from a personal story that you can't learn from a self-help book?

"Well, I started in radio and I'm a big self-help reader. But there's just something about hearing someone's voice; that's why I love the podcast format. When I hear someone's voice and their words and what they have gone through...it seems more real. It's also, just knowing you're not alone."

Especially given everything you've gone through, how do you find calm in your career and your personal life?

"My mom once said, 'Honey, you can have it all, but not at the same time.' She put a lot of her dreams and aspirations on hold for [me and my three siblings]. We're all a little bit stronger than we think we are, especially as women.

"I didn't know that I could face a deadly disease, not once but twice, and do it on a public stage. But I did. If someone had told me earlier I'd be going through this, I'd say, 'You're nuts, I'm going to crumble.'"

What are the three main things young women should keep in mind when facing life challenges?

"Put your hand up. Ask for help. There are lots of groups, and in this day and age there are lots of apps for finding all types of help. I'm so grateful for the close-knit family and circle of friends that I have, to not be afraid to ask for help and not try to do it all myself.

"When fear knocks on the door, have faith... I have this sign in my dressing room that says, 'This, too, shall pass. Now would be good.' [laughs]

"Finally, you regret things you don't do more than things you do."

It's intern season. Do you have any advice for getting your foot in the door?

"When I was trying to make it, I did everything and anything. I would send my tapes out — video tapes — and ask for them to be critiqued by people I saw on TV. I never asked for a job, because everyone asks for a job — I asked for their advice. 'Could you send me the pros and cons of what I'm doing?'

"Back then, I was kind of a hot mess. Now, I say... I'm a hot mess, and still blessed."

It's hard to believe you were ever a hot mess. Do you have any crazy stories?

"I know you'd love to know..."

Episodes of Everybody's Got Something are available through Apple Podcasts, Spotify, the ABC News and ESPN mobile apps, Google Play Music, RobinPodcast.com, and ABCNewsPodcasts.com.

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I See So Much Of Myself In This Bold Type Character But I’m Still Wildly Jealous Of Her

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I don’t often find myself feeling jealous of the fictional characters populating the many, many TV shows I watch. I’ve never coveted Olivia Pope’s ability to say "It’s handled," with the level of intensity usually saved for real-life Senate hearings or wished I was actually the Mother Of Dragons. But, as I watched the "sneak peek" of Freeform’s new drama The Bold Type, I instantly felt a little — okay, a lot — jealous of one of the three main characters taking on New York City, Scarlet magazine social media director Kat (Aisha Dee).

Out of the many fabulous lives on TV, it might be surprising that Kat is the character I’m envying, especially since we have so much in common. We’re both proud feminists working in media. She’s handling her magazine’s Twitter while I spend my days writing about TV for Refinery29. We both use humor to deflect from our emotions. We’re both ethnically ambiguous in the exact same way and our hair is nearly identical, down to the part. I know Kat, too, probably grew up crafting the perfect answer to, "So, what are you?" Hell her name is Kat and my middle name is Kat(arina). It’s a lot. Our similarities are exactly the reason I’m feeling jealous. Watching Kat feels like watching a much more confident mirror image proudly stomp through The Bold Type — someone I’m way too nervous to act like.

At the beginning of the the Cosmopolitan -inspired series, our trio of leads is assembled at a meeting to go over the latest issue of Scarlet. It’s filled with rich old white men in suits, along with the leading figures of the publication. When an editor explains that an upcoming article about a Muslim lesbian photographer is being pulled, Kat doesn’t stay silent. She speaks out loudly in the cavernous room, asking why the artist decided to rescind her offer to let Scarlet publish her photos. All the rich old white man heads turn towards Kat disapprovingly, as do her superiors. Instead of shutting up, she shrugs and continues, "I think this story is worth fighting for. It’s click gold for us. It hits all of our boxes, no pun intended. It’s feel-good. It’s sexy, just the right amount of political." Although the Bold Type ’s editor-in-chief, Jacqueline (Melora Hardin, AKA Jan From The Office), agrees with Kat, she says the discussion is a moot point, since the photographer isn’t interested in giving Scarlet the rights to her art. Conversation over.

Let me just say how deeply uncomfortable that kind of situation would make me. I’m an extrovert and a Leo, so I love talking, sharing ideas, and yes, sometimes even being the center of attention. But, I’m also a young woman of color who grew up — and stayed — in white spaces. I’m a born and bred Staten Islander, so I hail from New York City’s most famously homogeneous borough, and the only NYC county that voted for Donald Trump in the 2016 election. Although I never felt ostracized for my background growing up, I always knew I was different. In elementary school, I was the only obvious Afro Latina in my grade, and definitely the only one with natural hair. So, I adapted by naturally making everyone around me extremely, extremely comfortable. That way, no one would focus on the fact I didn’t exactly look like them.

Yes, I’ll share my many thoughts and make an entire room laugh and prove I’m the kind of intelligent that helps you graduate cum laude from Syracuse University, but not in a way that seems too bracing or too loud. Not in a way that would ever make someone uncomfortable. It’s not something a woman of color should concern herself with all day, every day, but it’s the way my personality ended up forming in south shore Staten Island, where — and I’m paraphrasing a 12-year-old story my mom told me — a vice principal once said as a compliment that I wasn’t that dark.

So, that’s why I found Kat’s bravado so amazing. She, as someone who looks a whole lot like me, doesn't care when a board room full of rich white men stare at her. In fact, she ignores her boss’ blanket statement and pursues the Muslim photographer, eventually convincing her to let the piece run, photos and all. If my boss told me to drop a story, I would probably immediately agree she was correct and go catch up on Orange Is The New Black. I would forget about the morally imperative article by the next day, because who wants to make waves? Thankfully, I don’t actually have to worry about this happening, since my real-life R29 bosses would never do that. But if I worked somewhere else, it could happen.

With just a single pilot episode, The Bold Type managed to create a character I, a nearly 25-year-old woman, hope to be like when I grow up. I can’t wait to see what she does next when the series makes its full two-hour debut on July 11. Until then, I’ll try to remember Kat the next time I’m in a room full of judgmental old white dudes.

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Queen Sugar Just Offered A Much-Needed Perspective On Black Women's Love Lives

Queen Sugar Just Offered A Much-Needed Perspective On Black Women's Love Lives

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Intimate partner violence, police violence, the wage gap, cultural appropriation, and reproductive justice are all concerns under the umbrella of Black feminism. And for all of these concrete issues, there are even more ideological practices that Black women operate under on a daily basis. We are expected to live up to expectations of Black excellence and respectability, and we are supposed to uplift and appeal to Black men in the process. In the season two opener of Queen Sugar, the free-spirited Bordelon sister, Nova, addressed this latter point and it was a Black feminist perspective we all needed to hear.

At a baby shower for one of her friends, Nova and her homegirls — all Black women — gathered around the table to chat. The mom-to-be is single and intentionally expecting twins, which comes as a surprise and source of concern for some of her friends. One of them asks if she’s scared of “doing it without a partner,” and it grows into a broader conversation about finding partners, starting families, and still being single at an age when you thought both of those things would have already happened already. Nova’s pregnant friend — who is a partner at a law firm — is scared, but happy about her decision. And when she mentions that her mama told her she was starting her family “out of order,” Nova had some truth for her.

“Who said there has to be an order? No offense to your mama but that idea is outdated. Just like the idea that we’re incomplete without a partner and kids,” Nova boldly stated. Despite its accuracy, it’s still not an idea that all Black women are willing to get comfortable with. This is evident when another of Nova’s friends speaks up to say that before she has kids she wants her “man first,” even if it makes her old-fashioned.

But Nova throws her most controversial curveball when she suggests that Black women don’t have to limit their dating pool to Black men exclusively. When she suggests that men of other races, and even women, are also options to consider, she is met with side-eyes and laughed off. The moment packs a punch for its realness.

The loyalty that Black women feel towards Black men can be a source of pride and, in some cases, pain. I’ve witnessed this in my personal relationships, in public discourse about pop stars like Chris Brown, and in my own social circles. The idea is that Black women haven't lived up to their full potential until they've secured a Black man to validate them. Black men like Tyrese and Steve Harvey who spout sexism masked as “relationship advice” have a platform because so many people still believe in that narrative. Act like a lady. Think like a man. Don't be a hoe. Get an education. Accept his flaws. Don't have strong opinions. Don't be too sexy. Don't be unsexy. These, and about a million other rules, are laid before us as law in the service of men's approval. It's exhausting.

I don’t think there is anything wrong with preferring to date within one’s own race, but I know from personal experience that the shame some Black women feel about being single past a certain age is reflective of more than sexist narratives about women’s place in the world. Part of it is about this perceived failure of not finding the Black man of their dreams. I love that Queen Sugar has created a character that is unafraid to present some acceptable alternatives. It’s 2017, and we need them.

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The 2nd Game Of Thrones Trailer Just Dropped & #WinterIsHere

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The 2nd Game Of Thrones Trailer Just Dropped & #WinterIsHere

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It's hot outside, but things are looking icy in Westeros. Or, as HBO puts it in the tagline for the second full-length Game of Thrones season 7 trailer, "It may be the first day of summer, but #WinterisHere." Indeed it is.

A second two-minute trailer for the upcoming season of GOT dropped on Wednesday, to the shrieking delight of fans everywhere. And it's marvelous. We get a little bit of everything in this gorgeously edited sneak peek at all the action to come: Sansa being a badass; Daenerys arriving in Dragonstone; the Night King being evil as hell; Brienne and Podrick being the best duo ever; Jon Snow getting ready to kick some as at the Wall; Grey Worm and Missandei making out; and much, much more.

Here's a rundown of the rest of the highlights. Watch the whole trailer for yourself, below.

- Winter is really, really here. That means White Walkers, which we're thrilled to see after being deprived of them in the first teaser. (It appears HBO heard our cries.)

- The Great War is also here. As Littlefinger tells Sansa, "Don't fight in the North or the South. Fight every battle everywhere. Always. In your mind." Damn, been reading Genghis Khan much, dude?

- Beric Dondarrion has a shiny new toy. We were right: Beric is back. The one-eyed the leader of the Brotherhood Without Banners (you know, the one who never seems to actually die) is toting a flaming sword now.

- There's a Ned Stark homage. At the end of the trailer, Sansa speaks her late father's words, which he once spoke to Arya: "When the snows fall and the white winds blow, the lone wolf dies but the pack survives." In simple terms: "United we stand, divided we fall."

- The music choice is bomb. If it sounds familiar, that's because it's the same piece from the finale where Cersei blew up the sept. Epic shit.

- Jon Snow is making the North get its shit together. We see him leading troops into a snowy battle up north, possibly against the White Walkers. He tells his hopeful comrades in arms, "For centuries our families fought together, against their common enemy. Despite their differences, together. We need to do the same if we're going to survive, because the enemy is real. It's always been real."

Game of Thrones season 7 premieres July 16 on HBO.

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Your Cell Phone Bill Could Cost $1 For One Year — But There's A Catch

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You might already be familiar with some of the best iPhone hacks, like Speak Screen (having emails read to you), and Optimize Storage (which saves space by storing higher-resolution photos and videos in your iCloud). But the latest iPhone hack — getting unlimited service for one year, for $1 — comes courtesy of Apple and Virgin Mobile.

Starting today, Virgin Mobile USA will be the first iPhone-only carrier and provide a handful of limited-edition perks for customers who sign up by July 31.

For those who want in, pre-order a new iPhone, or buy one in person at the Apple store, and you'll get unlimited talk, text, and data for 12 months for $1. Additional early-bird benefits include a round-trip companion ticket to the U.K. on Virgin Atlantic, a one-night stay at Virgin Hotels, up to 20% off Virgin America or Alaska Airlines tickets, and more. After the one-year introductory period, customers will have to pay $50 for unlimited talk, text, and data (up to 4G LTE), with the option to take their phones with them to another carrier if they no longer feel like riding the Virgin wave.

It's a pretty solid deal. Of course, you'll want to comb through VirginMobile's phone contract terms and conditions, and the finer details of the perks. But per Money 's deep-dive into the best phone plans of 2016, Virgin Mobile USA has offered a pretty solid contract for individual users in the past — as long as they can swing the full cost of buying a phone outright.

Virgin's new deal is valid with iPhone 7, 7 Plus, 6s, 6s Plus, or iPhone SE purchases, meaning interested parties will have to shell out at least $319 at the lower end. (The SE usually starts at $399 retail, but Virgin is offering it for $120 less.) Not a bad at all.

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Wait, Is The New Transformers Movie Feminist?

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Transformers: The Last Knight was supposed to be different. The trailer sold it as a girl power robot riot, which was novel for a series that sticks to strict formula of robots, a male protagonist, and the occasional woman-as-sex-object.

Isabela Moner plays Izabella with a "Z," a 14-year-old autobot caretaker who wants you to know that girls can be tough. The preview is essentially a Beginner's Guide To Grrrrl Power — Izabella defends the phrase "fight like a girl" and growls at the little boys who dare to question her strength.

Bad news: Izabella is barely in the movie. Feminism is also barely in the movie, a headache-inducing romp through space and time. Her appearance in the preview is about all there is to her role — it's as if production, upon seeing the popularity of Millie Bobby Brown in Stranger Things, decided the movie needed a last-minute injection of tween girl empowerment.

Izabella isn't even the main woman character in the movie. She wasn't featured in the trailer, but Vivian (Laura Haddock) is the head honcho here. She's a British professor-doctorate-lawyer-something with a preference for body-con dresses. She's important to the world of Megatron and autobots because — spoiler alert — she's the Last Knight. A direct descendant of Merlin (yes, that Merlin), she's the only one who can wield the staff that can harness the magic of transformers. On paper, Vivian's storyline is actually more feminist than Izabella's. Izabella shows up in a football field for five minutes during the film's exposition; Cade Yeager (Mark Wahlberg) decides shortly after she's too small to join the real fight and asks her to stay at the junkyard while the adults go off to fight. Enter: Vivian, the woman who's old enough to be an object! She's highly-educated, good at polo, and her family keeps asking why she's still single, i.e. she's a textbook Strong Woman.

Vivian's supposed to be the human hero of this story, as the titular last knight, but naturally, she suffers at the hands of the male gaze. (Sigh.) When she dons a low-cut sheath dress, Cade complains that he has to listen to "a woman wearing a stripper dress."

"Perhaps you'd feel more comfortable if I took it off," she replies. I'm still not sure if she was flirting or unleashing some sarcasm. Cade then agrees that yes, she should take the dress off. Then, Anthony Hopkins* tells them to stop fighting. (Stop flirting.) As much as I hoped Vivian would be our Eowyn, whipping off her mask during the final fight to reveal "she's no man," she's not. The professor/doctorate/J. Crew-model is a love interest for Cade and little more than set dressing for all the cool robots.

The robots are the main focus in this series, which contributes to the gender issue. The Transformers series has always been one for the boys, the same way Bratz have always been for girls. There are giant robots! Fighting! The first movie featured an oiled-up Megan Fox, leaning seductively over a car. (Allegedly, Fox was never comfortable with the way director Michael Bay sexualized her in the movie. She didn't return after the first movie, and her role has been filled by various other nubile women characters.)

This was never more apparent than when I sat down to see Transformers: The Last Knight next to a pack of tween boys and heard one proclaim, "I don't want to see any humans in this movie — only robots." I'll never know who made the arbitrary decision that, for boys, machinery would be awesome and, for girls, ponies preferred, but the marketing tactic seems to have worked.

Trouble is, girls like me escape through the cracks. (Talk to me about Pacific Rim sometime.) Because bots are the main characters, humanistic themes can seem fairly out-of-reach. Izabella and Vivian can never be as important as Bumblebee and Optimus Prime.

So, Transformers won't escape its robots-for-boys confines until it gives us a woman autobot, preferably a badass one. The villain of The Last Knight is Quintessa, an Ursula-inspired autobot who, it turns out, needs Optimus Prime to kill everyone on Earth. (It's complicated. This movie leans on Harry Potter rhetoric by saying something like "no planet can live while the other survives.") It says a lot about my generosity to this franchise that I was delighted at the idea of a transformer-cum-femme-fatale, even one who is barely on screen.

That's what I need from Transformers, though. I don't need girl power. I don't need a professor-y person who, in the middle of a fight to save Earth, kisses Mark Wahlberg. I don't need a 14-year-old orphan who's given the nickname of "Little J. Lo." I need woman robots — and not just a love interest for Bumblebee. Make no mistake; they may be robots, but the autobots in this franchise all present as men.

In most ways, Transformers: The Last Knight is not a feminist movie. It doesn't pass the Bechdel test, mainly because the people in this movie don't talk about anything other than robots. Its attempt at Logan -style little girl badassery is limp at best, and its stab at Wonder Woman- style heroism is soaked in made-for-men cinematic style. Quintessa, then, is our only hope. There's going to be another movie in this series — what, you think they're just going to stop making them? — and that one had better have a few lady robots. This particular lady robot needs that to happen.

* No one knows why Anthony Hopkins was in this movie.

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New Photos From The Assassination Of Gianni Versace: American Crime Story Are Here

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Will the new season of American Crime Story receive the same level of critical acclaim as the Emmy-winning The People V. O.J. Simpson? Only time will tell, but these new cast photos from The Assassination Of Gianni Versace certainly bode well for the next installment of the TV franchise. Thanks to Entertainment Weekly, we now have a better picture of the stars who will be bringing the story of Gianni Versace's murder to the small screen — and just how well they will embody their real-life counterparts.

You can see a slideshow of the exclusive cast photos over at EW, which depict Penelope Cruz, Edgar Ramirez, Darren Criss, and Ricky Martin completely in character. It's proof that the new show will be just as much about luxury as it is crime — though that's par for the course when the founder of the international house of Versace is the one whose murder will be the focus of the season.

While we previously saw photos of Cruz looking full-on Donatella Versace, it's hard not to be impressed by the Vicky Cristina Barcelona actress' Versace makeover. In the first photo, Cruz-as-Donatella dons a magenta evening gown and stares wistfully into the distance, despite standing in what appears to be a luxurious mansion — likely the mansion which Gianni was outside of when he was shot by serial killer Andrew Cunanan. Meanwhile, Ramirez looks troubled as he channels Gianni Versace, who, in EW 's photos, is lounging in a lavish sitting room.

It's hard not to make comparisons to the gods of Mount Olympus (Versace has long been inspired by Greece), especially when it comes to Martin as Gianni's longtime partner Antonio D'Amico. Martin, wearing nothing but a robe and underwear (with matching Greek keys) does his best to look statuesque as he stands by the pool.

And then there's the one character who doesn't quite fit: Andrew Cunanan, portrayed by Criss. Here, Criss' character wears a simple blue polo and khakis, completing the look with wire-framed glasses. It's about as far-removed as you can get from the high-fashion looks that Donatella, Gianni and Antonio wear — and that's, perhaps, the point.

The new season of American Crime Story hits FX in early 2018.

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The Saddest Breakup Songs Of All Time

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Illustrated by Sydney Hass.

The Ronettes had it all wrong. The best part of breaking up is not the making up. That rarely happens, and when it does, it often leads to more breaking up.

No, the real pleasure in having your soul shredded by another human being comes in the days, weeks, months, or maybe even years of wallowing that follow. It’s a chance to wear pajama bottoms past noon and indulge in some serious self-reflection — the type that makes you a stronger, better person. This journey into the self can be scary, but luckily, generations of musicians have written songs to soundtrack the plunge.

What follows are the saddest (and therefore finest) breakup songs of all time. On this list you’ll find no TSwizz “We’re Never Ever Getting Back Together" (too empowering) or Alanis Morissette “You Oughta Know” (too angry). These songs are plain and simple, rip-your-heart-out sad. Play ‘em just loud enough to drown out the sobbing.

"Thinking Bout You" by Frank Ocean

With the line, "I've been thinking bout you / do you think about me still?" Frank Ocean reads our break-up ravaged insecurities.

"Torn" by Natalie Imbruglia

In which our favorite '90s singer faces the disintegration of her relationship. Or, more specifically, the disintegration of her idea of the relationship. Disillusionment has never been so catchy.

"My Love Took Me Down to The River to Silence Me" by Little Green Cars

In this eerie folk anthem, a woman's lover leaves her, and she's left emotionally ravaged."I'm still here waiting for you," croons the lead singer of this band, inspired by the Irish musical tradition.

"Yesterday" by The Beatles

Some things, like the Beatles and Twilight Zone reruns, never get old. "Yesterday" is Paul McCartney at his most stripped-down, mopey, and vulnerable. The brilliance of the line, "Yesterday came suddenly," grows on you.

"Lover You Should've Come Over" by Jeff Buckley

In this aching song, Buckley is mourning a relationship that ended because of his own wishy-washiness. Buckley doesn't know how to stop wanting to be both free and committed. When he sighs, "And maybe i'm too young to keep good love from going wrong," I can't help but tear up — no matter the state of my heart.

"Hello" by Adele

If you haven't cried while listening to "Hello," what steel are you made of?

"Better in Time" by Leona Lewis

With a blend of hopefulness, nostalgia, and pain, Lewis sings of the light at the end of the breakup tunnel, when she'll be all better — but will still miss her ex.

"So Long Marianne," Leonard Cohen

Cohen looks back at his relationship with his real-life girlfriend, Marianne Jensen, with such poetic nostalgia. For when you know you have to leave — but how nice it would be if you could stay.

"Don't Think Twice, It's Alright," Bob Dylan

Never has break-up sass been thrown so subtly and effectively. Dylan sings with the self-satisfied bite of the wronged party.

“Stay,” Lisa Loeb

Everyone’s favorite bespectacled over-thinker hit on something universal with the line, “I think that I’m throwing, but I’m thrown.” That’s what it’s like being in a bad relationship. The question of “should I stay or should I go?” isn’t always a binary yes-no kind of thing. Sometimes, it sends you down the kind of emotional rabbit hole Loeb goes into here, with winning results.

Photo: Courtesy of Geffen.

"Need You Now," Lady Antebellum

In this unabashed cheese-fest, two exes say to us what they wish they were saying to each other. The couple seems a moment away from getting back together.

“It Must Have Been Love,” Roxette

Immortalized in Pretty Woman, “It Must Have Been Love” represents the perfect ratio of schlock to sentiment. In someone like Celine Dion’s hands, this would have been a complete disaster, but the Swedish duo of Marie Fredriksson and Per Gessle gaze off to “where the water flows” and “where the wind blows” without sounding like ‘90s Disney characters.

Photo: Courtesy of EMI.

"If You See Her Say Hello" by Bob Dylan

Bob Dylan's trying to play it casual in this ballad, but he's dying to hear how his ex is doing.

“All Cried Out,” Lisa Lisa and Cult Jam

A year before freestyle queen Lisa Velez topped the charts with the gushy, lovey-dovey 1987 smash “Head to Toe,” she went the opposite route, putting foot to heart and pressing down hard. “Don’t you know the hurt will cause an inferno?” she sings, helpless against a fire that buckets of tears have failed to extinguish.

Photo: Courtesy of Columbia.

“Don’t Turn Around,” Ace of Base

Typically, neither crossover reggae hits nor songs by Swedish pop foursomes are known for being particularly sad. (When was the last time Sublime or Abba made you bawl?) For whatever reason, though, this moody summer jam — all about keeping a brave face while having your heart ripped out — has less bounce than a punctured beach ball.

Photo: Courtesy of Arista.

"Woke Up New" by the Mountain Goats

Sung in John Darnielle's gravelly, raw voice, this song perfectly encapsulates the feeling of freedom and deep loneliness that occurs during the days following a breakup. "On the morning when I woke up without you for the first time / I felt free and I felt lonely and I felt scared," the song opens.

The lyrics describe the sense of wandering through daily life with a phantom partner — not there in presence, but there in mind. Darnielle repeats, "What am I gonna do without you?" It's the unanswerable question. He'll do everything he did before, but after waking up new, nothing's the same.

As the lyrics go, "I got ready for the future to arrive." But for now, he's here in the present, and nothing's right at all.

Courtesy of 4AD

"The Heart Wants What It Wants" Selena Gomez

SelGo's ballad tore us apart when it first debuted — mainly because it was presumably about Justin Bieber. (Sigh.) Like many great breakup songs, the tune details that moment when you're teetering on the edge, deciding if the relationship has reached its end.

Also, it's a great karaoke song.

"Stupid In Love," Rihanna

When it comes to rousing anthems of love gone wrong, Rihanna reigns supreme. This 2009 single from her album Rated R emphasizes the idiocy involved in all failed relationships. Simply put: love is stupid. Relationships are stupid. We're all stupid. (Stupid in love, one might say.)

"A Million Reasons," Lady Gaga

Our Lady Gaga just went through a breakup of her own — she ended an engagement to actor Taylor Kinney while she was writing her newest album Joanne. Fittingly, the album is imbued with both mourning and a come-together rallying cry. The song "Million Reasons" narrates the harrowing decision to dump someone.

"You're giving me a million reasons to let you go," Gaga sings.

But, ultimately, we want to stay no matter what, right? The chorus ends with this unfortunate truth: "Baby, I just need one good one to stay."

"Never Let Me Go," Florence + The Machine

Florence Welch, with her melancholic croon, has always produced music that hits you in the proverbial feels. Even her happier songs, like "Dog Days Are Over," hint at a deep sadness. "Never Let Me Go"is probably her weepiest production — or weep-inducing. Note: that isn't to say the song is despondent. Somewhere in those hollow calls, there's a hope for the future.

The sweeping chorus goes, "And the arms of the ocean are carrying me/And all this devotion was rushing out of me/ And the crashes are heaven for a sinner like me/ But the arms of the ocean delivered me."

The ocean-as-lover metaphor works in two ways: the ocean can envelop you and make you feel surrounded. It can also swallow you whole. Weeping yet?

"Deep Blue Sea," Grizzly Bear

The Grizzly Bear song keeps this melancholy tune simple with a repetitive structure — each verse reads the same line twice, building an incessant, obliging refrain. The song uses metaphor to allude to all that achey breakey pain, and it works.

The second verse croons: "Dig his grave darlin with a /silver spade/ Dig his grave darlin with a /silver spade."

"Him" being, well, you know.

Photo: Courtesy of 4AD.

"Slow Dancing In A Burning Room," John Mayer

John Mayer seems to specialize in the moony love song, the moony crush song, and, of course, the moony breakup song. There's just something about that slow croon that scream melancholy romance. "Slow Dancing In A Burning Room" speaks to the final stages of a relationship — when you're fully aware that this relationship ain't headed anywhere good.

"This is the deep and dyin' breath of/This love we've been workin' on," Mayer sings. In essence, the song is a eulogy for love lost, but it's actually not all that plaintive. This is the breakup song that resolves the relationship turmoil, and it's best for listening when you're coming to terms with that newly single life.

"Gives You Hell" All-American Rejects

The pop-punk hit from 2008 is post-breakup bitching at its best. The refrain — "Hope it gives you hell" — summarizes our most juvenile sentiments toward an ex. It's fun, angsty, and a great song to shout at your ex as they're driving away in their getaway car or whatever.

"Truth be told, I miss you," the All-American Rejects sing. But it's a fake out! They continue, "And truth be told, I'm lyin'!"

The song is one giant, delicious middle finger to exes everywhere, and it's oh-so-satisfying.

Photo: Courtesy of DGC - Interscope.

"Sober," Childish Gambino

Gambino (Donald Glover) has always been a melancholy sort, crooning about the trials of the music industry and the perils of existence. "Sober" features CG's plaintive falsetto singing about the need to be inebriated after a breakup.

He sings throughout the track, "And now that it's over, I'll never be sober."

Yup, sounds about right.

"Seven Days Of Lonely," I-Nine

The popular pop-rock song from the mid-aughts is quintessential shower singing. This is angsty lady pop at its best — call it a guilty pleasure if you want. Directed at a past lover, the lyrics are just plain tacky. (Which is exactly what we want post-breakup.)

Lead singer Carmen Keigans sings , "Tell me how I'm gonna make it, you're the one I can't forget/It's like I'm running in slow motion in a nightmare that never ends." Feel free to actually run in slow motion when you hear this part.

And then she puts it plainly: "God, I wish you could hold me through the seven days of lonely."

"Cranes In The Sky," Solange Knowles

From her third album A Seat At The Table, "Cranes" is about the desperate need to please, especially in the face of abject failure. Sound familiar? The title refers to man-made metal cranes used in construction. The lyrics read as a catalogue of various attempts at healing. Like a metal crane, the singer wants to construct a way of remaining 'above' the world's maladies.

"I ran my credit card up," Knowles sings. "Thought a new dress would make it better." On a macro scale, the song is about pain in general — not just romance-induced ills — but the melancholy tone is the perfect complement for breakup blues.

"If I Ain't Got You," Alicia Keys

Alicia Keys was onto something with this track, from her (arguably) greatest album, The Diary of Alicia Keys. The R&B singer was soulful and subtle on this album, and this song's simplicity made it a standout. Also: it was just really fun to sing (albeit offkey).

"Hand me the world on a silver platter, and what good would it be?" she asked. "Someone people want it all / But I don't want nothing at all / If it ain't you baby."

"Gravity Don't Pull Me," Rostam

You know when the breakup is messy and sad and entirely your fault? Former Vampire Weekend bandmate Rosstam Batmanglij goes solo on this sad breakup track.

"And the worst things I ever did / was to this same boy I couldn't help it," he sings. "I messed things up / And it broke my heart."

"Don't Give Up On Me," Solomon Burke

The singer famous for "Cry To Me" — you probably know it from Dirty Dancing — makes a true break up song. Soul singer Solomon Burke won a Grammy for the album, which borrows its title from this song.

"Hang in there baby, sooner or later," Burke asks plainly. "I know I'll get it right."

"Missing," The XX
The XX are really great at making songs about relationships. Not the breakup anthems or the Lemonade-style dizzying divorce solos — XX's songs are about the nuances of every stage of a romance, even when it's stalled.

"My heart is beating / In a different way," they sing. "Been gone such a long time / I don't feel the same."

"Echoes of Silence," The Weeknd

Before the lights and glamour of OVOXO, The Weeknd released Trilogy, an album of his mixtape songs that were floating around the internet. "Echoes of Silence" is one of the weepier tunes: Abel is asking his lover why she insists on hurting them both.

"It's gonna end how you expected girl you're such a masochist and I ask why," Weeknd asks. But the woman is as emotionally ravaged as he is: "And you reply... / I like the thrill / Nothing's gonna make me feel this real." Ouch.

"These Arms Of Mine," Otis Redding

No one does break up songs better than Otis Redding. "These Arms Of Mine" isn't particularly weepy, but you can hear the longing in Redding's deep voice. "These arms of mine, they are yearning / Yearning from wanting you / And if you would let them hold you / Oh, how grateful I will be," the master of soul sings.

The lyrics are simple — Redding wishes his lover was back in his arms — but the way his voice ascends and drops is deeply moving.

"Take A Fall For Me," James Blake Feat. RZA

James Blake and RZA play with the push-pull of a relationship that's soured because of a struggle to commit. The song's plot is simple enough: Blake/RZA are men who loved sleeping with a woman that wants more. When she decides to take another man's proposal, their world shatters.

"What will become of me / If I can’t show my love to thee? / What will become of me?" RZA questions, his voice full of regret.

Photo: Courtesy of Republic Records.

"I Care," Beyoncé

Beyoncé cares, y'all: "I told you how you hurt me, baby / But you don't care / Now I'm crying and deserted, baby / But you don't care."

Bey's vocals are piercing, and they should be. It hurts to be the only one putting in effort, caring about whether or not a relationship can be sustained. Once again, Beyoncé says it better than anyone else ever could.

Photo: Courtesy of Parkwood.

"Not Gon' Cry," Mary J. Blige

In Waiting To Exhale, this song plays when Angela Bassett is deserted by her cheating husband. It might be the greatest break up song ever — the tempo feels like a desperate whine. MJB always delivers.

Photo: Courtesy of Arista.

“Doing It Wrong,” Drake“

We live in a generation of not being love / And not being together,” says the prophet Aubrey Drake Graham on this track. We’ve seen weepy Drake, lit Drake, Big Rings Drake. But this is the rapper’s magnum opus of sad breakup songs. Are you crying? We are.

Drake and his lover can’t seem to break up properly. They’re too invested, too intimate. It’s hard to stop needing someone, Drake explains. But he needs someone different.

Photo: Courtesy of Young Money Entertainment.

"Phantom Other," Phantom Other

Grizzly Bear co-lead singer Daniel Rossen supposedly wrote this song in a moment of frustration with his co-lead Ed Droste. You can feel the irritation in the deliberately slow pacing: "What would it take," he repeats and over and over again, "to make you listen?"

Rossen and Droste never broke up — the bandmates still friendly — but the sentiment of being at your wits' end in how to deal with someone who can't feel your pain is real.

Photo: Courtesy of 4AD.

“Marvins Room,” Drake

Aubrey has a lot of emotions, and “Marvins Room” is when they’re the most raw. This is sad, regretful Drake: He’s addicted to thinking about the women that have abandoned him, and wants to tease them (and himself) with a drunken phone call. He’s made it big time, and wants to show off his success.

But what does he have to show for his fame? What has being “25 sitting on $25 mil” brought? Late nights and loneliness. His ex has moved on with someone else, and he’s trapped in her memory. “I’m just saying you could do better,” he sings.

Photo: Courtesy of Young Money Entertainment.

"First Song for B," Devendra Banhart

It's hard to listen to this song without feeling an little bit of an ache. Devendra is in newly in love, and emboldened by it. "I wanna see you be the one who’s first light harbors in the new day / And see you settle into yourself," he sings quietly. "And never be afraid."

But love comes with the inevitable risk of disappointment and distress: "Please destroy me," he begs.

“Summertime,” Vince Staples

“Summertime” begins and ends with a hook that echoes: “This could be forever, baby,” Vince says. His voice isn’t tender, but sad — the relationship he’s talking about could never be forever. He’s asking a girl to stay with him beyond summer, but knows that she won’t.

Summertime ‘06 really is about that summer, and the crossroads it presented in the rapper’s life. In the album’s 20+ songs he zigs and zags between playful and precious. Summertime speaks to the latter: It’s love that keeps him home, but it’s the same love that’s tearing him apart.

“My feelings told me love is real / But feelings known to get you killed / I feel as if I'm misconstrued / I spend my moments missin' you,” he says.

Photo: Courtesy of Def Jam.

“White Ferrari,” Frank Ocean

So Frank finally dropped the album. Blonde is marvellous, and White Ferrari is a sad-song highlight. Something about Frank Ocean’s voice feels intimate and close as he talks about a former love, before the song builds into layers and layers of songs and emotion.

Once Frank and his former lover could communicate without even speaking; now he only has his imagination of what they could have been. “I care for you still and I will forever / That was my part of the deal, honest / We got so familiar,” he sings.

Photo: Courtesy of Boys Don't Cry.

“How Can You Mend A Broken Heart,” Al Green

Is there a song more suited to a particularly steamy, sad night? Is there a song more perfect for a bottle of whiskey and a long scroll through an ex’s engagement album? Al Green’s voice has that soft '70s vibe, and the violins whine and whimper. Here's your late night breakup song.

“How can you mend this broken man? How can a loser ever win?” Green asks, his voice sadly soulful. Somebody please help me mend my broken heart / And let me live again.”

Photo: Courtesy of Motown/Universal Records.

"White," Frank Ocean & Odd Future

While we wait for Boys Don't Cry — whatever it is and whenever it arrives — this Frank Ocean deep cut is worth a revisit. Ocean sings a capella here, thinking out loud about love, heaven, and his fear of being swallowed into his own darkness.

"Could this be Earth? Could this be light?" Ocean asks. "Does this mean everything is going to be alright?" He's brought into the bounty of the afterlife's warmth and light, but still considers a former love. "But I'll forget 23 like I forgot 17," he says. "And I forget my first love, like you forget a daydream."

Photo: Courtesy of Odd Future Records.

"A Message," Kelela

Kelela's voice sounds like something that drifted in from another planet. This song opens her EP Hallucinogen, and it sets the tone for the emotional, moody release.

On this track, Kelela sees everything with newfound clarity. She's speaking to an ex-lover, revealing their relationship's hardest truth: she has never satisfied him. A clean break is required. "You don't even see me," she sings, asking, "Are you even breathing?"

Photo: Courtesy of Warp.

“Like You’ll Never See Me Again,” Alicia Keys

By now we know that Alicia Keys is not — despite her efforts to the contrary — a soprano. But she had us fooled (and weeping) with "Like You’ll Never See Me Again." She became an exciting artist to behold with this track, and its delicate R & B melody hasn’t aged. “On the dreamy lullaby ‘Like You’ll Never See Me Again,’ [Keys] ponders whether she’ll be appreciated after a lover stops calling her name,” wrote Rodney Dugue for Spin. A bonus: The song’s music video is equally heart-wrenching, even though it can never be forgiven for insinuating that it’s possible for Common to die.

Photo: Courtesy of J Records.

“Caretaker,” D.R.A.M. feat. SZA

D.R.A.M. revisits a highlight of Donnie Trumpet and the Social Experiment's Surf, this time adding the perspective of SZA. The song is about two people who aren’t together anymore but still care deeply about one another: “I’ll take care of you, I will / Even if I got a man now,” SZA sings. These are friends from day one unable to untangle their lives: “I’ma be there, ‘cause I wasn’t there.”

Photo: Courtesy of W.A.V.E. Recordings.

“Gimme All Your Love,” Alabama Shakes

Alabama Shakes is a good band, but it’s Brittany Howard’s voice that is central to making this song work. Her request — not just “love me,” but “give me all the love you have” — starts out as a whisper and grows into a growl. Maybe she’s singing about a punch-drunk love on its last legs, or a spark that’s dimmed.

Songs don’t have to be weepy and quiet to be sad. The great guitar riff around the track’s three-minute mark is like the push-pull of a toxic romance, a back-and-forth that continues (probably) despite a lover’s better judgment.

Photo: Courtesy of ATO Records.

"Bad Religion," Frank Ocean

Obligatory friendly reminder that we, the people, are still waiting for Frank’s next album. (Cc: Frank Ocean, Bcc: Odd Future)

Could “Bad Religion” be the best track on an album that’s nearly perfect? No matter the answer, everything about this song is pitch-perfect on late-night desperation and loneliness. “I can never make him love me,” Ocean repeats. To recover from an unrequited love so barren, he might have to beg for a blessing from any god he can find.

Photo: Courtesy of Def Jam Recordings.

“Plastic Bag,” Drake & Future

“If anybody know, I know,” Drake mumbles at the song’s opening. We’re listening to What a Time to Be Alive Drake, the 6ix God himself, Drake punctuated by Future. This isn't the open-wound Drake of albums past. On a record that manages to mimic a bit of the zeal and excess of Watch the Throne, “Plastic Bag” is a moment of real tenderness and sincerity.

Drake has a documented history of knowing and liking strippers. But this song isn’t about poles or thongs, it’s his way of sweetly appreciating the labor of these dancers, while also somberly observing the warped morality of his lavish lifestyle. Every syllable is weighed down by his guilt.

Photo: Courtesy of OVO Sound.

“The Greatest,” Cat Power

Cat Power’s bluesy voice drugs listeners into an easy melancholy. The musician (whose real name is Chan Marshall) expertly walks the line of beautiful but tortured. “Once I wanted to be the greatest,” she murmurs. “No wind or waterfall could stall me / And then came the rush of the flood / Stars at night turned deep to dust.” This song is about her complicated relationship with fame, but the soft rat-tat-tat of the drums makes it a great track for a cloudy-day cry.

Photo: Courtesy of Matador Records.

“Foreground,” Grizzly Bear

Grizzly Bear is deceptively simple. Upon the release of 2009’s Veckatimest, Pitchfork called “Foreground” masterful and muted. The song is anchored by a piano melody as it winds and twists its way into your wounds.

“Take all evening, I’ll just be cleaning,” frontman Edward Droste suggests. Take an evening to cry with this song. It’s the perfect background music to heal your woes head-on.

Photo: Courtesy of Warp.

“End of the Road,” Boyz II Men

The secret to life is that this is the greatest song ever written. The way it slowly builds from a regular '90s ballad into a hymn of loneliness and sadness is mythic in that uniquely New Jack Swing way. It’s a deeply affecting breakup song but with a kind of the groupthink of wounded machismo: “Why do you play with my heart, why do you play with my mind,” the quartet croons.

Photo: Courtesy of Motown Records.

“You Always Hurt The Ones You Love,” Ryan Gosling

Remember Blue Valentine? Remember how it made you weep? Remember how the movie’s trailer still sometimes does? This soft Ryan Gosling melody is a major reason why.

The Mills Brothers made this song popular decades ago, but Gosling’s character isn’t a singer, so his voice cracks and stumbles over the lyrics. His uneven, tuneless sound is perfect. It’s slow and sad, and the movie’s ending raises its profile as a song ideal for a good weekend cry.

Photo: Courtesy of Lakeshore Records.

“I’d Rather Go Blind,” Beyoncé

It goes without saying that this is an Etta James song — it’s always been an Etta James song. But Yoncé's cover for the 2008 drama Cadillac Records is spectacularly heartbreaking. And it might even be better.

The premise is simple enough: “I’d rather be blind, boy,” Bey sings, “than to see you walk away from me.” Her voice rises to match the song’s crescendo, and the effect is staggering. With this cover, Bey will have you missing your first relationship, your last relationship, and maybe even the train home.

Photo: Courtesy of Sony Legacy.

“Higher,” Rihanna

So, this isn’t technically a song about “breaking up.” But it’s still a song about missing someone, trying to move on, and feeling caught in the clutches of a relationship that has soured. In an interview with Vogue, RiRi herself compared it to a drunk voice mail: “You know he’s wrong, and then you get drunk and you’re like, ‘I could forgive him. I could call him. I could make up with him.’ Just, desperate.”

An added bonus: The song just sounds beautiful. “[ Anti] is an intimate process, and Rihanna lets us see the fingerprints, the sweat stains, the fine lines,” wrote Jenna Wortham for The New York Times Magazine. “Her voice cracks as she sings ‘I hope I ain’t calling you too late’ over whining violins on ‘Higher,’ wobbling in a decidedly unpolished way. Seeing those seams is its own kind of beautiful, and a rarity in a pop world that tends toward polish and perfection.”

Photo: Courtesy of Roc Nation.

“Please, Please, Please Let Me Get What I Want,” The Smiths

For breakups, bad days, and rainy afternoons, there are few groups more perfect than The Smiths. “Please, Please, Please” is gloomy, brooding, and oddly charming all at once. “See the luck I’ve had can make a good man bad,” Morrissey sings.

So what if 500 Days of Summer kind of made The Smiths cool for the Manic Pixie Dream Girl crowd? The song is just so easy to weep to.

Photo: Courtesy of Rough Trade Records.

“Dreams,” Kelsey Lu

Kelsey Lu’s voice reverberates with a bewitching frequency as she sings about loving a boy that’s bad for her. Lu’s voice drags into a guttural moan that’s deeply moving. “I’m out drinking every night, hoping I’ll run into you,” she sings. “I know you’re no good, but I can’t get enough of you.”

Lu is a new artist and an accomplished cello player. At 18, she ran away to music school and has been growing into an artist to watch since. “Lu gently builds from distant, piercing intensity to something heavy and mournful,” wrote Laura Snapes from Pitchfork.

Photo: Courtesy of Emmanuel Olunkwa.

“Time Flies,” Lykke Li

Lykke Li is weak and tired. Relationships are taxing, and breakups come with not only an emotional exhaustion, but a physical one too. The way her voice is barely a whisper, the way it fades in and out — her physical tiredness is palpable.

“I get weak, I miss sleep, I get moody,” the Swedish indie-pop singer croons. The song is called “Time Flies,” but it’s the perfect sad song because it shows exactly how time can drag.

Photo: Courtesy of LL Recordings.

“Samson,” Regina Spektor

Okay, so you used this song to get over your high school crush. And then you used it to get over your high school boyfriend. And then you used it just on long drives home in college. But this track is one of Regina Spektor’s greatest and most heartbreaking works of art.

The striking imagery — cutting a lover’s hair with blunt scissors, kissing in the morning light — is still there, and still just as moving. But Spektor also gets at a moving truth most sad love songs don’t talk about: “The history books forgot about us and the Bible didn't mention us, not even once.”

Photo: Courtesy of Sire Records.

“Sandcastles,” Beyoncé

Sometimes, losing love leads to more than just a breakup, it becomes a full-fledged crisis of faith. Lemonade isn't a "breakup album," but an album about the deepest recesses of loss: losing love, losing sanity, losing yourself as a relationship crumbles.

This track is a turning point on the album — it suggests the possibility of forgiveness — but you’re still left with these crippling lines: “Bitch, I scratched out your name and your face / What is it about you that I can't erase, baby?” She’s not just talking about "Becky with the good hair." This is a much more intimate loss.

Photo: Courtesy Parkwood/Columbia.

“Lover’s Spit,” Feist

This stripped-down version of the Broken Social Scene track bares all about unromantic sex and loveless physicality. Feist’s patchy vocals add to the song’s sad simplicity about lost connection: We’re all too busy smooching and swiping right to really engage with one another. “You know it's time that we grow old and do some shit.” You won’t be crying over one breakup with this song; it preys on nostalgia for youthful romances and flirtatious flings, too.

Photo: Courtesy of Arts & Crafts.

“Ne Me Quitte Pas,” Nina Simone

For starters, the title is French for “Don’t Leave Me.” But you don’t have to understand another language to feel the deep unrest in Simone’s soul on this song. Simone — a truly distinct and talented vocalist (and concert pianist) — mourns her love, offering him rain and earth and everything in between. She’ll hide herself in his shadow after being rejected. “I will dig the earth / Until after my death / To cover your body / With gold and light.” Maybe don’t look up the French translation. Simone’s voice is enough to echo through your heart’s caverns.

Photo: Courtesy of Metro.

“I’m Goin’ Down,” Mary J. Blige

Mary J. Blige was in her 20s when she covered a less popular Rose Royce song from the 1970s for her 1994 My Life album. MJB croons about when sleep isn’t easy and everything is going wrong. Her tearful apology is the saddest song to come of the canon of heartbreaking '90s R & B tracks.

Photo: Uptown/MCA Records.

"Skinny Love," Bon Iver

Bon Iver, a.k.a. Justin Vernon, once told Pitchfork that "Skinny Love" is about when "you're in a relationship because you need help, but that's not necessarily why you should be in a relationship." That anguish fills every note of this plaintive song. By the time Vernon wails, "And now all your love is wasted/ And then who the hell was I?" You'll want to cry out along with him. Also, if Vernon's notoriously bad enunciation means you can't really understand what he's saying, there's always the beautiful Birdy cover.

Photo:

"Shiver," Lucy Rose

We first got wind of Rose's sweetly melancholy tune when it was employed during the Adam-Hannah split in season 4 of Girls. Since then, it's been a go-to for when we're feeling weepy. Rose doesn't place the blame on her romantic partner for the split; she admits responsibility. But even though the breakup was mutual, she remains nostalgic for the good moments. "Shiver" is the perfect song for when you know you need to move on, but just can't.

"A Case Of You," Joni Mitchell

Joni Mitchell's conversational, devastating song, describes what it's like when a relationship is over but a connection to another person remains. "You're in my blood like holy wine/ You taste so bitter and so sweet," she sings. There are plenty of songs on Blue that will do the trick if you're looking to wallow, but "A Case Of You" articulates what it's like to a lose someone who has burrowed into your soul.

Photo: Courtesy of Warner Bros. Records.

“Someone Like You,” Adele

There’s a war going down inside Adele’s head. She wants her ex to be happy, and yet she finds herself wandering past his flat, hoping he’ll see her, remember the good times, and forget all about his new girl, who happens to be his wife. “Never mind, I’ll find someone like you,” she sings, though she, like Sinead, knows that nothing compares.

Photo: Courtesy of XL Recordings/Columbia.

“Love Is Stronger Than Pride,” Sade

Pride vs. love is like your JV high school basketball team vs. the 2012-13 Miami Heat. Sade knows all about the mismatch, and while she wishes she could hate this guy who's wrecked her life, the affection she feels is quick and tenacious, like the triumvirate of LeBron James, Chris Bosh, and Dwayne Wade. All she can do is run out the clock and hope to rebuild next season.

Photo: Courtesy of Sony.

“I Can’t Make You Love Me,” Bonnie Raitt

Is it a breakup song if the people in question are still sharing a bed? In this all-time soul-crusher, the intimacy is purely physical, and as unfulfilling as that is, Bonnie will take it — for a little bit longer. “Morning will come and I'll do what's right / Just give me till then to give up this fight,” she sings, working up the strength to walk away. “And I will give up this fight.”

Photo: Courtesy of Capitol.

“Nothing Compares 2 U,” Sinead O’Connor

If you know the exact amount of time that’s elapsed since you got dumped, you’re in deep trouble. On this Prince-penned classic, we meet Sinead “seven hours and 15 days” after her love took a hike, and she’s still reeling. She’s even been to the see the doctor. Doc's advice: Have some fun. Even in Ireland, the health-care system is whack.

Photo: Courtesy of Parlophone.

“Song Cry,” Jay-Z

Rappers have feelings, too. The thing about Jay is that he has trouble showing his, so in lieu of shedding actual tears, he aims to “make this song cry.” He does a decent job, though even as he opens his heart and apologizes to the girl he cheated on, he doesn’t quite ditch the macho posturing that might have made this tender mea culpa ring truer.

Photo: Courtesy of Roc-a-Fella Records.

“Pictures of You,” The Cure

Robert Smith has been writing intensely personal, moody songs of heartbreak pretty much since he founded The Cure in 1976. But this one is the most beautiful. Almost eight minutes long, "Pictures of You" finds Smith reflecting on memories of a person he loved, triggered by old photographs. “Remembering you falling into my arms / Crying for the death of your heart / You were stone white, so delicate, lost in the cold,” he sings. “You were always so lost in the dark.” For a Goth boy who is still married to his high school sweetheart, he sure knows how to capture the pain of lost love.

Photo: Courtesy of Elektra.

“Crying,” Roy Orbison

There’s nothing worse than bumping into your ex and having to pretend you’re not a total whimpering mess. Roy figures he pulls it off — “You couldn’t tell that I’d been crying” — and if he does, he’s a hell of an actor. In that signature opera-billy style of his, Orbison sings with a hurt not easily hidden.

Photo: Courtesy of WAX TIME.

“Caroline, No,” The Beach Boys

Originally titled “Carol, I Know,” this song became infinitely better when Brian Wilson misunderstood collaborator Tony Asher’s initial reading of the lyrics. The narrator in this song doesn’t know Jack. “Where did your long hair go?” he asks. “Where is the girl I used to know?” “Could I ever find in you again things that made me love you so much then?” If the bummed-out orch-pop backing is any indication, the answers to that last question is “Brian, no.”

Photo: Courtesy of Capitol.

“You’ve Got to Hide Your Love Away,” The Beatles

Everyone tells John Lennon he should suppress his feelings and go about his business, but this guy’s business was expressing his feelings. They come through in a big way on this transitional Beatles cut.

Photo: Courtesy of Capitol.

“Lost Cause,” Beck

Arguably the saddest song on Beck’s saddest album, this is the slow, strummy equivalent of waving a white flag. Poor Beck knows there’s nothing he can do to save this girl from herself, so he’s pulling his forces and signing whatever treaty he needs in order to escape with his sanity.

Photo: Courtesy of Interscope.

“Nothing Better,” The Postal Service

Selective memory is a the worst. The male character in this synth-pop duet figures there’d be nothing sweeter than marrying the girl who’s recently left him. Unfortunately, she’s prepared charts and graphs to remind him of why the good times weren’t that good. This is young love in the time of Excel.

Photo: Courtesy of Sub-Pop Records.

“You Left Me Standing In the Doorway,” Bob Dylan

Dylan waited until he was 56 to write one of the best lines of his career: “Don’t know if I saw you, if I would kiss you or kill you.” That, like the title, pretty much says it all, but then he goes one better: “It probably wouldn’t matter to you anyhow.” It’s a rascally line from a guy who’s wicked bummed but still pretty feisty.

Photo: Courtesy of Columbia.

“The Heart Remains A Child,” Everything But the Girl

In this song, vocalist Tracey Thorn bluntly asks a question that occurs too often during heartbreak: "Why don't you love me?" If that seems like a simplistic inquiry, well, that's sort of the point. This song perfectly expresses how we regress after heartbreak, and fall into our same, mopey patterns.

Photo: Courtesy of Virgin Records.

“Stay,” Rihanna ft. Mikky Ekko

Rih clears a little path through a hoarder’s den of messy feelings on this confusing piano ballad. “Not really sure how I feel about it,” she confesses, right before her duet partner, Mikky Ekko, sings the same line. These are two people who are completely wrong for each other, and when they join their voices on the line “funny, you’re the broken one, but I’m the only one who needed saving,” it’s like they’re both dishing blame and seeking salvation at the same time.

Photo: Courtesy of ISLAND-DEF JAM.

“Again,” Janet Jackson

When Janet hears her former boo is back in town, she goes off on a soul-searching journey that begins with wishful thinking (“I’ll never fall in love with you again”) and ends with acceptance (“God knows I do love you again”). The single-word title may be a predictor of how this story ends.

Photo: Courtesy of Virgin Records.

“Almost Blue,” Elvis Costello

“There’s a girl here and she’s almost you,” Elvis sings, weary like a lounge singer playing to a roomful of 2 a.m. drunks. He’s found a new romance that leaves him a little cold — “almost blue” — and that makes for one chilly-ass torch song.

Photo: Courtesy of Hip-O Records.

“Heartless,” Kanye West

At the risk of being melodramatic, Kanye dubs this “the coldest story ever told.” It’s the tale of two former lovers — presumably Yeezy and former fiancée, Alexis Phifer — who’ve wronged each other and wound up bitter enemies. “How could you be so Dr. Evil?” he raps, too mentally spent to muster anything better than an Austin Powers joke.

Photo: Courtesy of Roc-A-Fella Records.

“You Were Meant for Me,” Jewel

If you ask Parks and Recreation protagonist Leslie Knope, there are few problems that can’t be solved by breakfast foods. Jewel might beg to differ. “I got my eggs, I got my pancakes too / I got my maple syrup, everything but you,” she sings, unwilling to accept her sugary a.m. feast as a substitute for the one that got away. Eventually, Jewel tells herself, he’ll realize they’re meant for each other. Until then, Mrs. Butterworth will have to pick up the slack.

Photo: Courtesy of Atlantic.

"The World Has Turned and Left Me Here,” Weezer

Rivers Cuomo has it even worse than Robert Smith does in “Pictures of You.” On this Blue Album gem, the Weezer frontman is talking to wallet photos and losing his grip on reality. “You laughed, enchanted by my intellect,” he sings to his ex. “Or maybe you didn't.” Either way, he won’t be adding any more smiley snapshots of this girl to his plastic sheath.

Photo: Courtesy of Geffen.

“I Will Always Love You,” Whitney Houston

That towering, thunderous, ground-shaking “And I…” high note Whitney hits toward the end of this monster ballad makes total sense. Written by Dolly Parton, this is one of the most selfless love songs of all time, and before taking her leave of the man she knows she’s holding back, Whitney gets in one last show of dignity: an extended vowel sound people will be talking about until the end of time.

Photo: Courtesy of Sony Music Entertainment.

“It’s Too Late,” Carole King

It’s the sense of finality that makes this 1971 chart-topper such a killer. “Something inside has died, and I can’t hide it,” King sings, a little sad, a little relieved to no longer have to carry on a charade. “And I just can’t fake it.”

Photo: Courtesy of Sony.

“Don’t Speak,” No Doubt

Success must have been bittersweet for Gwen Stefani and Tony Kanal, punk-ska’s answer to Stevie Nicks and Lindsey Buckingham. No Doubt’s breakthrough 1996 single (and lone No. 1) is all about their breakup — an emotional earthquake Gwen clearly hadn’t recovered from the day she cut this vocal.

Photo: Courtesy of Interscope.

“Are You Lonesome Tonight,” Elvis Presley

In the famous spoken-word part, a truly miserable-sounding Elvis looks back on a failed relationship like a theater critic reviewing a play. Act one was great. Act two: not so much. Looking ahead to the act three, Elvis is only willing to entertain one possible ending. “If you won't come back to me,” he says, “then make them bring the curtain down.”

Photo: Courtesy of RCA.

“Without You,” Mariah Carey

Talk about fresh wounds. “I can’t forget this evening, or your face as you were leaving,” sings Mariah, who’s coming to us mere hours after the breakup went down. She hasn’t had time to process things, so she’s feeling a little overdramatic. Hence that chorus: a show-stopping declaration of why life is no longer livable. In time, she’ll get over it, but for now, let her wail.

Photo: Courtesy of Sony.

“Back to Black,” Amy Winehouse

The references to “puff” and “blow” give this an air of druggy self-destruction that heightens the sadness, especially in light of Amy’s untimely death. Even without those lines, though, it’s a heavy song — a smoldering James Bond theme for an everyday story about a woman plummeting into darkness as her man goes back to his former girlfriend.

Photo: Courtesy of Universal Republic.

"Take a Bow," Madonna

Taking a page out of the King's playbook, Madonna uses theater as a metaphor for her latest heartbreak. "You deserve an award for the role that you played," she tells the deceptive lover she's finally wriggled free from. "No more masquerade." Given that Madge used to be married to Sean Penn, the lesson here may be to only date crummy actors. Their lies are easier to spot.

Photo: Courtesy of Sire/London/Rhino.

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